Let’s switch back to Animation mode (monitor icon in upper right corner). The live view is not as high a resolution as the image will be so you will need to take some test shots.ĩ. Compare the test shots and continue to refine the focus until you are satisfied (you will need to switch back to Live View after looking at the test shots).ġ0. Okay! We like the image coming in from the camera. Some DSLRs aren’t capable of using this function so you will have to adjust the focus manually. Be sure your camera is set to manual focus. As you can see, it is a little bit blurry. You can zoom in using the slider on the far right side of the icons. Make sure you are still in Live View by checking the L icon below the image is highlighted. If you aren’t sure or have a mixture of lights, try the auto balance setting, or try to adjust it manually until you get something that looks right to you.Ĩ. Now that the exposure looks good we need to refine the focus. If you are using a certain type of light, like florescent, you can choose one of the presets. Luckily, we can compensate for that in the camera. The camera can see this and it may distort the colors in your artwork. Even though light may seem white, it always has a little bit of color, called color temperature. Know that even digital cameras have limitations and an exposure that works for a scene with a lot of white, may not work for the next scene with a lot of black.ħ. Below the exposure settings are more image settings. Take some test shots, changing the shutter speed, aperture and ISO until you find an exposure that accurately represents your artistic goals. The key is not to go so far that you lose the subtle gradations of shading as they approach the farthest ends of the spectrum. If our image is unbalanced towards the white end, it means we are overexposed if unbalanced towards the black end, we are underexposed.Ħ. In some cases, such as backlit sand, having a lot of black or white is exactly what we want because the image is meant to have a lot of contrast. Ideally, with color images, we want a nicely balanced histogram with very few pixels on the far ends of the spectrum. The clipping indicator button (next to the zoom slider) tells us which pixels are black and which are white. Once a pixel is 100% black or 100% white, we lose any ability to adjust the image in post because there is no color information in the pixel. This is a graphical representation of every pixel in the image on a scale of 100% black to 100% white. Keep your ISO around 100-200 if possible.ĥ. You can use the histogram at the top of the sidebar to help you see what is happening to the pixels in your image as you adjust the exposure. Usually this is something you would change only if you can’t make the shutter speed and aperture setting work together. The tradeoff is, a high ISO can create noise in an image, which may not fit your aesthetic. If you need a faster shutter speed and don’t want to change your aperture settings, you can increase the ISO. how much light was required to expose a piece of film. ISO used to refer to the film speed, i.e. Since our camera is mounted securely and controlled remotely, we can have a slow shutter speed and have more flexibility with our aperture settings. We can adjust the shutter speed to make it slower and allow more light onto the sensor, or faster, to allow less light. Shutter speed is how fast the camera opens and closes to allow the light to hit the sensor and create an image. If you are shooting on just one level and don’t need to worry about depth of field, set the aperture somewhere in the middle of the focal range, because every lense has an ideal aperture setting that gives the sharpest image. Determine what you want in focus, set the aperture to achieve the proper depth of field and focus the camera. Here is where your aesthetic tastes come into play, so we will set this first. We discussed the fine details of aperture when we picked out our lens. These three settings are all related to how much light passes through the lens and is transferred onto the camera sensor to create an image. Exposing each image is a balancing act between aperture, shutter speedand ISO. In the right side panel you will see dials for f-stop, shutter speed and ISO. These are the three factors that control your exposure (how light or dark the image is). Click the camera icon in the upper right corner to open the cinematography window.Ĥ. Now let’s adjust the camera settings and focus. Once you select your source, you should see a live image from your camera on the screen.Double check that you have the correct video source by going to “Capture>Video Source>Your Camera.Name the scene and choose the file location.
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